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Pieta 124 Pieta 124 ID de tableau:: 6330
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Pieta 124 Pieta 124 Oil on wood
Pinacoteca, Vatican Huiler sur le bois, Galerie d-Art, Vatican Oil_on_wood
Pinacoteca,_Vatican
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St Jerome and St Augustine dsfg St Jerome et St Augustin dsfg ID de tableau:: 6331
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St Jerome and St Augustine dsfg St Jerome et St Augustin dsfg c. 1490
Tempera on wood, 187 x 72 cm
Gallerie dell'Accademia, Venice c. 1490 La détrempe sur le bois, 187 x 72 cm Galerie de l-Accademia, Vénise c._1490
Tempera_on_wood,_187_x_72_cm
Gallerie_dell'Accademia,_Venice
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Virgin and Child dfg Vierge et Enfant dfg ID de tableau:: 6332
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Virgin and Child dfg Vierge et Enfant dfg 1490s
Tempera on panel
Victoria and Albert Museum, London 1490s La détrempe sur le panneau, Victoria et Albert Musée, Londres 1490s
Tempera_on_panel
Victoria_and_Albert_Museum,_London
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Virgin and Child Enthroned sdf Vierge et Enfant Intronisé sdf ID de tableau:: 6333
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Virgin and Child Enthroned sdf Vierge et Enfant Intronisé sdf around 1476
Panel, 106,5 x 55,3 cm
Museum of Fine Arts, Budapest autour de 1476 Panneau, 106,5 x 55,3 cm Le Musée de Beaux-Arts, Budapest around_1476
Panel,_106,5_x_55,3_cm
Museum_of_Fine_Arts,_Budapest
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Virgin and Child Enthroned around ID de tableau:: 64696
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Virgin and Child Enthroned around 1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest Crivelli was one of the busiest painters in Venice during the second half of the fifteenth century and was responsible for many altarpieces in small churches in Veneto and in the Marches. Adapting himself to the conservative taste of his patrons, he painted in an archaic style based on Gothic tradition; his Madonnas are usually frontally posed and seen against a gold background of Bysantine splendor. There is but little movement and few details from nature, the composition being solemn and strictly linear. Only the pure and sure design of the faces and the lavishly applied festoons of flowers and fruits testify to Crivelli's being a master of the fifteenth century, a Renaissance artist with a style of his own. The "Virgin and Child Enthroned" was formerly the central panel of a polyptych in the church of San Domenico at Ascoli Piceno. The representaion of saints from the wings are in the National Gallery in London. *** Keywords: ************* Author: CRIVELLI, Carlo Title: Virgin and Child Enthroned, 1451-1500, Italian , painting , religious 1476_Panel,_106,5_x_55,3_cm_Museum_of_Fine_Arts,_Budapest_Crivelli_was_one_of_the_busiest_painters_in_Venice_during_the_second_half_of_the_fifteenth_century_and_was_responsible_for_many_altarpieces_in_small_churches_in_Veneto_and_in_the_Marches._Adapting_himself_to_the_conservative_taste_of_his_patrons,_he_painted_in_an_archaic_style_based_on_Gothic_tradition;_his_Madonnas_are_usually_frontally_posed_and_seen_against_a_gold_background_of_Bysantine_splendor._There_is_but_little_movement_and_few_details_from_nature,_the_composition_being_solemn_and_strictly_linear._Only_the_pure_and_sure_design_of_the_faces_and_the_lavishly_applied_festoons_of_flowers_and_fruits_testify_to_Crivelli's_being_a_master_of_the_fifteenth_century,_a_Renaissance_artist_with_a_style_of_his_own._The_"Virgin_and_Child_Enthroned"_was_formerly_the_central_panel_of_a_polyptych_in_the_church_of_San_Domenico_at_Ascoli_Piceno._The_representaion_of_saints_from_the_wings_are_in_the_National_Gallery_in_London._***_Keywords:_*************_Author:_CRIVELLI,_Carlo_Title:_Virgin_and_Child_Enthroned,__1451-1500,__Italian_,___painting_,___religious
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| Artiste précédent Artiste prochain
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CRIVELLI, Carlo
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Italian Early Renaissance Painter, ca.1430-1495 |
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